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Crystal Lake Publishing Shows How Putting Artists First Leads to Extra-Ordinary Art
I read ‘Prime Evil’ when I was going on thirteen. Clive Barker was closing in on Stephen King in a battle to fill my young mind with wondrous worlds I didn’t know existed anywhere other than my own (dark?) thoughts. Continue reading Gutted: Beautiful Horror Stories
Neil Jackson & Post-Nearly Press…*How to Stab-Staple Alan Moore
Welcome to Emporium Purgatorio’s Artist’s Edition. Here we are exploring Neil Jackson’s imprint, Post-Nearly Press, particularly through the lens of his most recent work with Alan Moore, ‘Cometh the Moment, Cometh the Mandrill’.